автореферат диссертации по филологии, специальность ВАК РФ 10.01.03
диссертация на тему: Развитие арабской поэтической школы в Израиле, 1950-1980 гг.
Текст диссертации на тему "Развитие арабской поэтической школы в Израиле, 1950-1980 гг."
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САНКТ-ПЕТЕРБУРГСКИЙ ГОСУДАРСТВЕННЫЙ УНИВЕРСИТЕТ
На правах рукописи
Кассем Набих
развитие арабской поэтической школы
в израиле (1950-1980-е гг.)
Специальность 10.01.03 - литература народов стран зарубежья (литературы стран Азии и Африки)
ДИССЕРТАЦИЯ
на соискание ученой степени кандидата филологических наук
Научный руководитель -доктор филологических наук, профессор О.Б. Фролова
Санкт-Петербург 2001
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ABSTRACT
This dissertation deals with the subject of development of Palestinian poetry in Israel from the beginning of the establishment of the State of Israel till the late eighties. The work has not been easy for me since I had to check and go over hundreds of poems written by tens of poets. These poems were published in several magazines and newspapers that have been published throughout the last thirty years. One of the problems that I faced was that there were no collections of poetry published in book form that can be consulted. Poets in the early years were not able to publish their books because of political and financial reasons. Besides, the books that were published were not complete since many poets chose not to include all their poems in their collections. Therefore, the magazines and newspapers were the most reliable source. They described the development of the cultural movement in general and poetry in particular.
The study consists of an introduction, four chapters, and a conclusion. In Chapter One, I describe the conditions of the Arab people inside Israel after 1948. To make the image clear, I summarize the conditions in the years that precede 1948. That period was characterized by a hidden conflict for land-possession. As a result, the authorities of the new State of Israel followed a policy of confiscation and expropriation of the land of the Palestinian Arabs, who stayed and became Israeli citizens. The Arabs, who turned to be a minority, started their awakening, which took the form of sticking to the land, language, and pursuit after their classical culture. The Arabs felt that they were cut from their Arab roots and their nation in the neighbouring Arab countries. I also point out the motives and aspirations that pushed some Arab intellectuals, particularly the communist ones, to publish a cultural
magazine called al-Jadid. They hoped that this magazine will attempt, together with al-Ittihad newspaper, to awaken the Arab people in Israel and direct their thoughts and approaches. Besides, they hoped to strengthen the communist party and broaden its public base by implanting new thoughts in the new young generation. The magazine and the newspaper writers did their best to introduce committed literature to their readers and chose texts that aim at enlightening the people's mind and making them more aware of their national rights and their connection to the world in general. The texts were taken from Arabic or Hebrew or world literature, particularly the socialist countries then.
In addition, new cultural forums and magazines appeared in the country and tried to fill the gaps in the cultural arena. One of the magazines was called al-Mujatmci'. This magazine represented the opposite voice to the al-Jadid magazine, which represented the communist orientation, and al-Fajr magazine, which represented the Arab national movement.
Later in the Chapter, I discuss the roots of the movement of Arabic poetry in Israel and the various views concerning this movement. I argue that it was a little bit different from the movement of Palestinian poetry pre-1948, though it was in harmony with the general movement of Arabic poetry in the Arab world. I also show that interest in the Palestinian poetry in the early fifties was slight. However, in the early sixties, interest started to grow and we notice that new kinds of poetry written by poets, who became famous, started to appear in the local newspapers. Comments and critical articles discussing poetry also appeared in the abovementioned magazines. It is noticed that there was some contrast between the communist socialist international thoughts that were preached by the communist party in Israel and the idea of Arab-Jewish brotherhood and the pre-1948 national Palestinian poetry
represented by Wadi' al-Bustani, Ibrahim Touqan, 'Abd al-Rahim Mahmoud, Mutlaq 'Abd al-Khaliq, and Abu Salma. The poetry of these poets stemmed from the national patriotic Arab attitude.
I also discuss the trends of the local movement of Arabic poetry and the themes that characterized them in the first years. These can be summarized in six trends: the subjective, the realistic, the social, the patriotic, the national, the international, and the human.
In Chapter Two, I deal with the first signs of change that appeared in the Arabic poem (Qasida) in both form and structure. The change can be attributed to the increase in the number of educated people who gained knowledge and education through their study at high schools. The arrival of some collections of poetry from the Arab world; the increase in political, social and cultural consciousness among the Arabs in Israel influenced their interaction with the Arab world. Moreover, the annual poetry festivals in the Arab villages and cities had a great effect on the people's interaction with the poets, who gained experience in developing their artistic devices and techniques. As a result, the "poem of forums" became quite popular. However, despite these developed beginnings, the traditional forms remained the dominating trend in the local poetry, which was influenced by the new forms of stanza poetry that was developed by al-Mahjar poets, and by the poetry of Badr Shaker al-Sayyab. It seems that many poets preferred the rhythmic forms that repeat the same foot to the traditional meters.
I also discuss in this chapter the cultural responsibility that was adopted by the leftist poets and intellectuals, especially those who were close to the communist party, such as Emile Habibi, Emile Touma, Saliba Khamis, Issa Lubani, Issam 'Abbasi, Hanna Abu Hanna, Mahmoud Darwish and Samih al-Qassem.
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In Chapter Three, I deal with the artistic development of the Arabic poem, the extent of that development, and the most important changes that took place in the local Arabic poetry.
In Chapter Four, I follow the artistic development in the content of the Arabic poem. My purpose is to complete the description of the development of the local Arabic poem in both form and content. I also point out the most important artistic developments that occurred to the content of the poem such as: Self-Expression through describing the surrounding nature, the use of symbolism and its contribution to the development of poetry, and the structure of the poetic image in all its forms. I always support my argument with quotations from different sources. In the conclusion, I show how I emphasize the similarities and differences between the poetic movement inside Israel and the poetic movement in the Arab world in general. I also show the distinguishing aspects of the Palestinian poetry, but missing in the general Arabic poetry. One of the prominent aspects is the regaining of the poet to his centrality and role as a leader. Again, he is the spokesman of his people and the designer of their future. I also point out the significance of place/land in the Palestinian poetry and its importance for the Palestinian people inside Israel. Besides, I show the special importance of language as an essential factor in the re-awakening of the Arab individual and the rebirth of his national identity. I close by referring to the constant optimistic attitude that has always been a distinguishing aspect of the Palestinian poetry, despite all the disasters, injustice, persecution, and exile that the Palestinians have been exposed to.
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